Showing posts with label pop music. Show all posts
Showing posts with label pop music. Show all posts

Monday, 16 August 2010

CocoRosie

“To engage with CocoRosie requires absolute suspension of disbelief”, The Guardian once wrote about the sister-duo CocoRosie. Anyone who has been to one of their live shows or has seen The Eternal Children, a documentary on the so-called freak folk movement made by Dutch filmmaker David Kleijwegt, knows exactly what The Guardian is talking about. Bianca and Sierra Casady live in a dream world, populated by elves, unicorns, fairies and other dreamlike creatures. This can be tiring at times and I learned the hard way that you’d best restrict yourself to the records and not visit live shows. But when you do succeed in suspending that disbelief, when you get past all that gibberish about elves and whatnot, CocoRosie can be magical. With their junk-shop kiddie instruments, the angelic voice of Sierra and the childlike squealing of Bianca CocoRosie creates her own nursery rhymes, blending hip hop and opera along the way. And although they might seem innocent, their songs are anything but. Heart wrenching is the duet Beautiful Boyz with Antony Hegarty of Antony and the Johnsons: Born illegitimately / To a whore, most likely / He became an orphan / Oh what a lovely orphan he was / Sent to the reformatory / Ten years old, was his first glory / Got caught stealing from a nun / Now his love story had begun. True, at times CocoRosie seems too gimmicky, too ironic, to the point where it almost gets cringeworthy, but in the end their enthusiasm prevails. CocoRosie may not make you believe in fairy tales in the end, but you’ve got to appreciate them for trying. And who knows, they might make you wonder if, just if...


video: CocoRosie's first single Rainbowarriors from their third album The Adventures of Ghosthorse and Stillborn.

Tuesday, 27 July 2010

Best Coast

The first time I heard Best Coast I was green with envy. This was the music I had wanted to make when I was sixteen. At that time I was listening a lot to Bikini Kill, Hole and Sleater-Kinney. I never managed to pick up a guitar and now I see why: I was afraid to turn sour, cynical and frustrated, just as the girls from these bands were. Though it might be easy to file away Bethany Cosentino with screamers like Courtney Love and Kathleen Hanna, she’s got much more to offer than that. Along with bands like Vivian Girls, Dum Dum Girls and Frankie Rose & The Outs, Best Coast offers a disarming naiveté and sincerity that has been long lost in popmusic. The scuzzy lo-fi production, the echoing drums and overdose of reverb may hide that at first, but when you hear Cosentino sing The other girl is not like me she's prettier and skinnier / She has a college degree, I dropped out when I was seventeen / If only I could get her out of the picture / Then he would know how much I want him in the song Boyfriend without a hint of irony you cannot help but empathize. Where sixties girl groups like The Ronettes sang pleadingly about boys full of giddy hope, Beth Cosentino knows she won’t get what she wants, but either way still tries. And you’ve got to admire her for that.

Image: Best Coast Sun Was High (So Was I) 7" released by Art Fag Recordings